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Martin Johnson Heade
Cattleya Orchid Three Brazilian Hummingbirds
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Martin Johnson Heade
Two Hummingbirds
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Martin Johnson Heade
Cattleya Orchid Three Brazilian Hummingbirds
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Martin Johnson Heade
Hummingbirds and Two Varieties of Orchids
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Martin Johnson Heade
Orchids and Hummingbirds
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Martin Johnson Heade
Apple Blossoms
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Martin Johnson Heade
Magnolia
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Martin Johnson Heade
Magnolia f
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Martin Johnson Heade
Magnolia hgh
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Martin Johnson Heade
Giant Magnolias
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Martin Johnson Heade
Rio de Janeiro Bay
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Martin Johnson Heade
The Stranded Boat
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Martin Johnson Heade
Vew from Fern-Tree Walk,Jamaica
mk48
1887
Oil on canvas
53 x90in
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Martin Johnson Heade
Magnolia
Reproductions.
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Martin Johnson Heade
L'approche de l'orage
mk75
1859
Huile sur toile
71.1x111.8cm
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Martin Johnson Heade
The Hummingbirds and Two Varieties of Orchids
mk77
After 1870
Oil on canvas
18x12in
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Martin Johnson Heade
Magnolia Buds
mk127
21x35
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Martin Johnson Heade
Approaching Storm Beach near Newport
mk129
Heade-s Horizontal canvases emphasise his skies and the vastness of the sea,as well as the vulnerability of the sailing vessels and beach people that inhabit his picture.
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Martin Johnson Heade
Summer Showers
mk140
circa 1865-70
Oil on canvas
33.4x66.6cm
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Martin Johnson Heade
Apple Blosoms and Hummingbird
mk146
OIil on canvas
1871
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| Martin Johnson Heade
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American Hudson River School Painter, 1819-1904 Martin Johnson Heade (August 11, 1819-September 4, 1904) was a prolific American painter known for his salt marsh landscapes, seascapes, portraits of tropical birds, and still lifes. His painting style and subject matter, while derived from the romanticism of the time, is regarded by art historians as a significant departure from that of his peers.
Art historians have come to disagree with the common view that Heade is a Hudson River School painter, a view given wide currency by Heade's inclusion in a landmark exhibition of Hudson River School landscapes at the Metropolitan Museum of Art in 1987.
The leading Heade scholar and author of Heade's catalogue raisonn??, Theodore E. Stebbins, Jr., wrote some years after the 1987 Hudson River School exhibition that "...other scholars??myself included??have increasingly come to doubt that Heade is most usefully seen as standing within that school."
According to the Heade catalogue raisonn??, only around 40 percent of his paintings were landscapes. The remaining majority were still lifes, paintings of birds, and portraits, subjects unrelated to the Hudson River School. Of Heade's landscapes, perhaps only 25 percent were painted of traditional Hudson River School subject matter.
Heade had less interest in topographically accurate views than the Hudson River painters, and instead focused on mood and the effects of light. Stebbins writes, "If the paintings of the shore as well as the more conventional compositions...might lead one to think of Heade as a Hudson River School painter, the [marsh scenes] make it clear that he was not."
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